A woman shows a lot of cleavage most of the movie.

Few men try to grab a woman clothed breast.

Aldonza is a prostitute, and the muleteers constantly make lewd references about this.

In a dimly lit area a man cuddles a woman while laying down. The man leaves, and another man moves in and cuddles the woman.

A woman sings two very bitter songs of her rough life, one of which alludes to prostitution.

One of the muleteers viciously slaps Aldonza.

Don Quixote, who is delusional, attacks a windmill believing it to be a ferocious giant, but gets the worst of it. This incident, however, is presented strictly as comedy, and is one of the funniest episodes in the film.

Aldonza almost hits Don Quixote at one point, but one of the muleteers stops her.

A woman beats down the muleteers with a broom when they mockingly sing to her.

The dungeon prisoners jump on Cervantes and nearly strangle him early in the film.

Don Quixote threatens a barber with his sword, believing the barber's shaving basin to be a miraculous golden helmet, but the scene is played strictly for laughs.

A free-for-all fight (rather comical, and very benignly shown) erupts in the inn courtyard between Quixote and the muleteers. Many people are knocked unconscious.

The Lord's name is taken in vain, including 'Christ' and 'God'.

'B*stard' is said at least 4 times, mostly in one scene.

'Sons of whores' and 'whore' are said.

'Slut' is said twice.

Some language is very suggestive sexually.

The muleteers drink and some of them don't appear to be entirely sober during their first scene in the film.

Late in the film, Dr. Carrasco returns disguised as a knight, with a "shock cure" for Don Quixote. He and his attendants, similarly dressed as knights, force Don Quixote to look into several shields with mirrors, while chanting that he is only a madman and that Aldonza is not a lady, but a slut. They advance on him, and the light from the sun, reflected on the mirrors is too harsh. Don Quixote passes out from the shock.

In the first prison scene, the prisoners come across as very threatening and intimidating. Later, as the film progresses, they seem more humanized.

There is an ominous moment when soldiers of the Spanish Inquisition enter the dungeon to take a prisoner to his trial and he tries to keep them from doing so.

Near the beginning, we partially see the dead bodies of Inquisition prisoners who are being carted away after execution. All we see is the arm and hand of a corpse, but both arm and hand are pale white.